The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed. -Albert Einstein
The way we understand the world relies so much on our ability to measure it. Given that many measurements are based on the proportions of the human body it’s clear we measure stuff to find our place amongst it all and to connect with it in some way. By exploring the world at hand, from the basement to the backyard, I have found a resonance in things. An energy vibrates in that space between our perceptions of the world and the potential the mind senses for our interventions within the world. This energy is the source of all true art and science, it breeds those beloved Ah Ha! moments and it allows us to sense the extraordinary in the common.
For me, wonder is a state of mind somewhere between knowledge and uncertainty. It is the basis of my practice and results in images that are simultaneously familiar yet strange. Each piece begins as a question of visual possibilities and develops in tandem with the natural laws of the world. Serendipitously, this process often yields unexpected results measurable only through photographic processes. The human presence and artifacts of the process provide a clue to the creation of the photograph while adding to the mysterious nature of the image. My hope is that this work affirms that even within the well tested laws of science there are, and must always be, pathways to reinterpretation and discovery.
(All images are created in-camera, on a flatbed scanner, or in the darkroom. No content is created or added digitally)
The English scientist Michael Faraday, whose experiments with electricity and magnetism allowed for the practical use of theses forces in the modern world, once said. All this is a dream. Still examine it by a few experiments. Nothing is too wonderful to be true, if it be consistent with the laws of nature; and in such things as these experiment is the best test of such consistency. To understand the world and to profit from it one must interact with it, one must experiment. My practice as an artist combines a scientific curiosity with a constructive approach to making pictures. I utilize everyday objects and fundamental forces to illustrate experiences of wonder. For me, wonder is a state of mind somewhere between knowledge and uncertainty. An energy vibrates in that space between our perceptions of the world and the potential the mind senses for our interventions within the world.
My current body of work, Back to Light, expands upon a classic grade school science project, the potato battery. By inserting a galvanized nail into one side of a potato and a copper wire in the other side a small electrical current is generated. The utter simplicity of this electrical phenomenon is endlessly fascinating for me. Many people have had the experience of drawing power from fruit in the classroom, and it never ceases to bring a smile to the face or a thought to the mind. This work speaks to a common curiosity we all have for how the world works as well as a global concern for the future of earth’s energy sources.
Since all this is a dream my hope is that these photographs function as micro utopias by suggesting and illustrating the endless possibilities of alternative and sustainable energy production. The cycle that begins with the light of our closest star implanting organic materials with nutrients and energy, is re-routed in these images, Back to Light, illuminating earth once again.
Source: calebcharland.com